I got a laugh out of it, some may you will as well.
#The great wall movie rating movie#
If you want to see Damon give one of the worst and most embarrassing performances of his career, then this is the movie for you. They were just thrown into a film they didn’t fit into. This is one of those rare moments where I felt embarrassed for the actors. I think the movie would have been slightly better had they not cast any popular American actors in the movie.
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I know the reason they were cast in the film was so that the movie would have an international appeal, but it just seemed to make the movie worse. Having actors like Damon and Dafoe in the film were incredibly distracting. He had this weird accent in the film that I couldn’t quite figure out, but it sounded like an Irish-American accent that you’d hear in the movie Gangs of New York. There were moments in the film when I was laughing because his acting and the dialogue he delivered was just so bad. Their characters were so awkwardly developed, especially Damon’s. The movie probably would have been a lot better had Matt Damon or Willem Dafoe not been part of it. I should also probably mention that the dialogue was terrible. It was a big mess! I’m sure there was a good story in there somewhere, but it seemed like there were huge sections of the story removed and the audience was left wondering what in the hell was going on with certain characters and other elements of the story. This film was jumping all over the place, there was no flow, and the story was just littered with holes. So yes, the movie was incredibly fun to look at, but unfortunately, it was just a hollow story with an amusingly bad script. All of that stuff complimented many of the film’s awesome action sequences. The movie was visually stunning, and I loved the epic scope of it and all of the costume, setting, and creature designs. Unfortunately, The Great Wall was a big disappointment. I enjoy watching these films, and the Chinese have made some beautifully epic martial arts fantasy films in the past. But the film’s CGI magic stays flatly on the screen, lit less by the bright flame of a true creative vision than the dull gleam in an international marketing executive’s eye.I had high hopes for Matt Damon’s fantasy adventure film The Great Wall because I enjoy this particular genre of films. Zhang allows for a few small moments of buddy-cop comedy between Damon and Pascal (two dudes with no shortage of lethal weapons between them) and a whisper of implied romance with the sleek, high-ponied Tian. The Tao Tie, which we are told are some sort of physical manifestation of human greed, snarl and snap and inhale hapless bystanders like stoners ripping into a bag of Cool Ranch Doritos, but their reported intelligence never feels like more than hearsay they can dig a tunnel and follow their queen’s orders in tail-swishing lockstep, but really, they’re just big nasty lizards. But The Great Wall struggles mightily to transcend its two-dimensional storyline, a dull roteness not much helped by its zoological villains.
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Renowned director Zhang Yimou ( House of Flying Daggers, Hero) has placed Westerners at the center of a fundamentally Chinese narrative before, notably with Christian Bale in 2011’s The Flowers of War, and he is clearly no stranger to the scope of scale of historical epics. But hark, who is this leaping into the breach, rescuing young cadets from certain death with a well-placed blade? William, the loner legionnaire who believes in nothing and no one! Is impressing the commander part of his escape-plan long game, or has he suddenly grown a conscious? Tovar and another member of the Wall’s involuntary-Caucasian-lodger club named Ballard (a haunted, predatory Willem Dafoe) don’t care to stick around to find out, though their own getaway strategy may have a few plot-shaped holes of its own. Even with flawless preparation and swarms of immaculately coordinated fighters at the ready, though, the battle begins to shift away from victory. As something between provisional prisoners and houseguests, William and Tovar are allowed to bear witness to a Tao Tie raid that unfolds like a sort of bloody green-screen Cirque du Soleil: Pounding drums and swirling silks, soldiers arcing a silvery stream of arrows across the sky or diving swan-like from raised platforms, daggered spears in hand.